Inspired by a View-Master and “pop-up” books as a child, Allen became interested in recreating these three-dimensional experiences by using old books and pulp fiction paperbacks as still life subjects. Allen revels in taking on different roles in creating his scenarios: “In addition to being a photographer, I play talent scout, casting director, stage manager, lighting supervisor, and film editor.” He photographs these engaging tableaux in shallow focus, rendering his prints with the dreamy effect seen in the View-Master stereoscopic toy that also inspired him.
These beautiful volumes with scarred and wrinkled covers, discolored pages and fragile spines are not seen as precious commodities that should be stored on a shelf, but a voluminous inventory of actors and scenes just waiting for direction.
Allen gently cuts around the shape of his figures, physically releasing them from their two dimensional surface. They are brought to life from their pages and covers with detailed lighting and a thin focus. Pulled and positioned, their intended drama comes to life.
